Lih Yui KPower, Sociality, and Capital: The Politics of Art Practice in Singapore[Reuploaded with removal of some images upon image owners’ requests] A short ethnographic monograph based on a year-long anthropological…Apr 12Apr 12
Lih Yui KPlacemaking in a Heterotopia IIUncovering the Unseen in Singapore’s GeylangOct 17, 2023Oct 17, 2023
Lih Yui K10 Insights from Working in PublishingA retrospective personal reflection essaySep 17, 20213Sep 17, 20213
Lih Yui KinCounter ArtsVoyaging at Sea with Ethnographic Image-makingReading anthropology through Martha Atienza’s contemporary art practice and visual biographies of the seaJul 27, 20211Jul 27, 20211
Lih Yui KinCounter ArtsA Proposition for the Paradox of Art as WorkQuantifying artistic labour with Teh Ching Hsieh’s One Year Performance — Time Clock PieceJul 7, 20214Jul 7, 20214
Lih Yui KToo Much Food, Nothing to EatConceptualising Food Security at London’s Food BanksJun 12, 2021Jun 12, 2021
Lih Yui KPlacemaking and Surveillance in a HeterotopiaA Postscript of Geylang in SingaporeJun 12, 2021Jun 12, 2021
Lih Yui KRemotely Close: Desire, Excess, and Absence in the Pursuit for ProximityRethinking Intimacy through Japan’s “Affection-for-Hire” IndustryJun 12, 2021Jun 12, 2021
